Murderous Kickstarter!

The Kickstarter for the first Murder in the Mail story is now live. It’s packed with unique rewards. Most are available anywhere in the world.

Murder in the Mail tells stories through letters, objects, and artworks mailed to the reader over several weeks.

The first story is A Bloody Birthday.

Naomi, your cousin, is killed at her own birthday party. One of the guests is the killer, and you have asked them all to write to you and send artworks to help you figure out who could have done such a thing.

Every letter, object, and piece of (quality-printed A4 size) art holds at least one clue.

There is a forum for readers to talk to each other at

I am the curator as well as writing one of the characters. There are twelve writers/artists altogether.

Murder for Fun and Profit

STOP PRESS: The Kickstarter is now LIVE until April 14 2018.


After tossing around ideas and a lot of, “Wouldn’t it be cool if….”, it’s really happening.

Murder in the Mail is a story told through letters, objects, and artworks physically posted to the reader over the course of eight weeks.

The reader is a character in the story, invited to guess the identity of the killer each week. The Murder in the Mail forums are a place where readers can compare clues and insights, helping (or hampering) one another. Everything, including the art, contains clues to be unravelled.

The first story in the series is A Bloody Birthday.

Poster 3

(Like the logo? It’s by Publisher Obscura author Annabelle Lee.)

A group of art students gather at a birthday party where the guest of honour is murdered. One of them is the killer.

You ask the group of friends to write letters to you, talking openly about what happened, and sharing art works they’ve done in the period of time before, during, and after the party.

People say artists show their soul through their art. . . now it’s up to you to discover the darkness inside someone you trusted.


There are eight beautiful pieces of art included with this story, all made by Australian artists (almost all of whom I scouted out personally here in Canberra). Every character is written by a different published Odyssey Books author. The objects in the story are chosen to involve all the senses, and the art was chosen to be (a) Beautiful (b) Varied in style and medium (c) Packed full of clues.

For example, this picture has five clues in it.


That beautifully intricate piece is by the artist Shauna O’Meara.

There will be a Kickstarter campaign beginning on Saturday 17 February and ending on the last day of May. If it goes well, there will be at least one more story in the series (and financial bonuses for all the contributors). During the Kickstarter period, there will be a range of unique items for people to purchase, such as premium versions of the story or custom-made art by the featured artists.

There will be a very special launch on 25 August, here in Canberra and possibly elsewhere in Australia as well.

If you want to know more, you can email

If you want to buy one and can’t hold on to your $40 until the Kickstarter starts, there are three ways you can order your very own Murder in the Mail story:

You need to supply your name, email, and the physical address where the story should be posted. NB: The first mail-out will begin in June-July.

It is VERY important that you clearly label your payment with your name!

  1. If you have PayPal, send your money to
  2. If you don’t have PayPal, you can get it & pay us very easily by going here, entering $40, and clicking on the big blue “Next” button to privately & safely link your bank account to PayPal.
  3. Or just use the following details for a direct deposit:                                           Commonwealth Bank         062-692            3320 8197


Here is another one of the artworks that will be in the story:

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It’s by Adam Lee.

Eight weeks is a long time to worry which one of your friends is a killer (even when the friends are fictional), and there are also some Easter Eggs and clues that are quite obscure. So go ahead and lurk and/or join the forum here. There’s lots of space to talk about other art and other types of stories. If you are an Australian or New Zealand resident and an artist, please share your style and details there. I will be actively scouting the forum for future stories.

I’ll be going to various conferences this year, and the first cab off the rank is Canberra’s biggest gaming conference, CanCon, in C Pavilion near the vast Games Library.

Feel free to come and chat, buy my books (or Annabelle Lee’s books), playtest some of my interactive fiction, and perhaps order a copy of Murder in the Mail for yourself or someone who would kill for it.

Oh, and there’s a facebook page here where at least one of our early reviewers will be sharing her first impressions.

Here’s the trailer:




Yes, books have trailers now.

Yes—as is utterly obvious even on first viewing—I make my own trailers. It would actually be cheaper for me to hire someone else to do it. You can get a professional-looking trailer for around $5 if you know where to look. This trailer cost considerably more than that (I paid for music, actors, and three video clips).

The thing is, although I can barely navigate iMovie (or anything more complicated than a text document with a few hashtags and such for coding interactive fiction), I just adore putting together book trailers. For me they’re a great way to draw people quickly into the mood of the tale. And although I’m overwhelmingly not a visual artist, I admire it when I see it, and I like to dabble.

So without further ado, here is the first trailer for The Monster Apprentice:


NB: I accidentally deleted the rest of the credits on the Monster Apprentice trailer, which will eventually read:

With thanks to




This trailer kicks off a new series, for a new audience (children/tweens rather than adults/young adult) and is certainly has a different feeling and style to my other trailers. I’ve played it about a dozen times for my kids (and of course, roughly a million times for myself).

Here’s my other two (so far) trailers:

Antipodean Queen 1: Heart of Brass


Antipodean Queen 2: Silver and Stone

I will be doing two more this year! One for Murder in the Mail: A Bloody Birthday (that’ll be interesting—the trailer will need to explain how it all works), and one for Antipodean Queen 3: Iron Lights.


The heest are enormous monsters that live in the magically-sustained ice of Luar Island. They are both more and less than they seem.

When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. Rahana is like Narnia, but with pirates.

The HEEST trilogy is written for children (but is, as always, the kind of thing I love to read as an adult). It will begin release with a Pirate Ball on February 17th 2018 (next month).

The first book is THE MONSTER APPRENTICE. All three books will be illustrated by the glorious talents of Tash Turgoose.

It’s available for pre-order through Odyssey Books, and I’ve also seen it for pre-order on Amazon Australia, which means it is or soon will be at all the usual online places, and will gradually trickle into some bookshops. You can order it into any bookshop or library.

ISBN: 978-1-925652-13-0 (pbk) | 978-1-925652-14-7 (ebook)

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The cover is here!!

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FYI, if you haven’t read Sandy Fussell’s books, you’re missing out. I especially love the Samurai Kids series. She is also a fantastic human being, which doesn’t hurt!

While we’re waiting for the cover, here’s the first version of the trailer:


And the final version, with sneak peeks at some of the glorious internal illustrations by Tash Turgoose, is here:


And here’s the opening:


I awoke from a dead sleep – for once, a sleep without nightmares. My bedroom was pitch black and silent, but my heart was racing. Then the sound came again – a man shouting at the top of his voice. He pounded at my family’s front door.

“Elder!” The man’s voice was sharp with terror. “Elder, wake up!”

The night air was hot and still. My sheets lay in a crumpled heap on the floor. At the open window my curtains hung in unmoving black lines. No wind slid through to ease the stifling heat. My mane oflong black hair felt heavy around my head. I didn’t dare move.

Dad would check on me before he went to answer the yelling. Ever since my twin sister died, he was that type of dad. Whenever he felt worried about something, I was told to go to my room – to sleep, if it was night time. No matter how many nightmares I had.

He was forever telling me to be careful, – but I was definitely not going to miss out on the fun this time. So I remained curled on my side as if I hadn’t heard a thing. If he didn’t tell me to go back to sleep, sneaking out wasn’t disobeying him. Not exactly.

“Elder, please!” The man’s voice broke, and I recognised him. It was Watchman, who spent each night staring out over the sea. I felt my first delicious shiver of real fear.

Still I didn’t move. I stared at my curtains, since they were directly in front of me. The black stripes looked like prison bars. Everyone  single person on the island had jail-bar curtains, since only one ship had brought curtains to Luar in twenty years. Dad could have organised more traders, but he chose instead to keep Luar Island as secret as possible. He wanted everyone to be safe.

Watchman hammered again on our heavy wooden door. I held my breath. Something was happening, and I was going to find out what it was – no matter what.

My bad eye skittered to the side, giving me half a view of the three carved masks hung on hooks on my wall – my most recent school project, worth a king’s ransom on any other island. Luar Island’s odd trees didn’t grow anywhere else – only magic could excuse the fact that explain how they grew at all – and as a result Luar’s art was more delicately carved than anywhere else in the world. And more valuable. We only used it for art – never for houses or burning. And on Luar, everyone was an artist.

“Elder!” cried Watchman. “Elder!”

“I’m here!” Dad called back.

The air tasted thick, like porridge. I wrinkled my nose at the smell of my own sweat, and listened to Dad’s measured footsteps. Dad never hurried anywhere. My door shushed in and out as he checked on me and then went to answer Watchman. Yellow light from his candle danced beneath my door, casting monstrous shadows.

After I counted three of his footsteps, I placed my own feet one by one on the cool trader wood of the floor. I slipped my shoes out from under the bed and put them on, lacing them tightly. Biting my lip, I ignored the clumsiness of my shaking hands.

If Dad called me I’d be dressed and ready: a proper daughter to Luar’s Elder. Just like my sister would have been.

If he didn’t call me, there was always the window.

The front door squeaked as it opened. Watchman stopped yelling. Usually he spent the night huddled on the far hilltop, keeping an eye out for the rare ships that knew to bring grain or cloth to trade for our precious carvings. It was his job to light the beacon fire to guide them to shore.

“Raise the village,” he gasped. “Pirates!”


Antipodean Queen 3: Iron Lights

That’s right! The title has changed.

This is the final book in my magical steampunk trilogy. The first book is HEART OF BRASS and the second is SILVER AND STONE.

IRON LIGHTS will be released in August 2018, launched at the Canberra Writers’ Festival (assuming they let me in again) and available in time for Canberra’s speculative fiction conference, Conflux, which this year has the theme “The Unconventional Hero”. It’s a perfect theme for 2018 since my Emmeline is short, bisexual, female, and sometimes a bit thick.

The Iron Lights of the title refer to two famous historical lighthouses which play a vital role in the tale. There will be new and dangerous magic, another evolution of the flying machine, a clockwork army, and [redacted].

Here, to taunt you, are the first two sentences (which may also change utterly):


Being called a madwoman is, on the whole, preferable to being burned as a witch.

I looked forward to those occasions when male and female convicts were permitted to exercise at the same time, and I could converse with the man who shot me.

If you’re worried that you won’t have any more of my books to impatiently wait for. . . don’t. I have another full trilogy already written and edited and waiting in the wings.

When I was eighteen years old and living in Indonesia, I invented a fantasy world called Rahana. It is a place with thousands of islands and millions of potential stories, where magic is considered to be just another trade. It’s best described as being a lot like Narnia, but with pirates.

The HEEST trilogy is written for children (but is, as always, just the kind of thing I love to read). It will begin release with a Pirate Ball on February 17th 2018 (next month!).


My 2017: No wonder I need a lie down

What an epic year. I spent over 15 years of my life writing novels that nobody would touch, and now that it’s started to rain it’s pouring (which is a wonderful thing).

I spent vast amounts of time on the Tin Man Games “Choices That Matter” app (Google Play and iOS). It’s a story hub for serial interactive tales and it has over a million downloads of the free sample sections. The three stories so far are:

“And The Sun Went Out”

A near-future scifi which I co-wrote with KG Tan and Alyce Potter. It had 60 updates over 15 months, and clocked in at just over 600,000 words (longer than “War and Peace”). Each read-through is about 150,000 words.

“And Their Souls Were Eaten”

I wrote all of this one (edited by Phill Berrie and KG Tan), set in the same steampunk universe as my Antipodean Queen novels, but with a completely distinct magical problem (and taking place in Europe). The finished tale is 400,000 words long, and after that I had a nice lie down.

“And Their Heroes Were Lost”

Phill Berrie is writing, and KG and I are editing (oh how the tables are turned, hey Phill?) This is also sci-fi, but I don’t want to give away any more than that! Phill is still working on this story, and his fans are clamouring for each new update.


I also wrote, edited, and published the novel “Antipodean Queen 2: Silver and Stone“, and will be finishing that trilogy in 2018 with “Antipodean Queen 3: Iron Lights” (that’s right: the title has changed since Book 2 was published).

AND my actually-rather-good pirate fantasy trilogy for kids (like Narnia, but with pirates) that I wrote many years ago has been accepted for publication and shall begin release with a free pirate mini-ball (live music, prizes, costumes, and everything!!) on Saturday February 17th.

“The Monster Apprentice” is the first book. And it’ll be illustrated, too! Plus (shh don’t tell) one of my very very very favourite Aussie authors is going to read it and give me a cover quote!

And I have three other very exciting projects coming out in 2018! One I can’t talk about yet, one will be published on the premium label at Choice of Games (they pay VERY well for books that make the premium grade), and one is called “Murder in the Mail: A Bloody Birthday” and is a murder mystery told entirely through postcards, letters, objects, and art. That link is to the shiny new forum where readers will be able to talk to one another about who they think is the killer, and how much they love all the art I chose!

2017 was a great year for my writing, and 2018 is going to be even better.

I is happy.


Things are looking up.

Pirate Ball

It’s official. I can wear corsets again.


And with three book launches this year, it’s not a moment too soon.

Do you live in Australia?

Do you live reasonably close to Canberra?

Do you love the Narnia books?

Do you love pirates?

Do you love live music?

Do you love dancing (and/or watching others dance)?

Do you love dressing up (and/or seeing those who do)?

Do you love chocolate coins and fairy bread?

Do you love prizes?

On Saturday February 17th 2018, the first book in my tween magical pirate trilogy will be released with an enormous free PIRATE BALL hosted by the epic Earthly Delights Historic Dance Academy.

They have agreed to run a pirate ball for their monthly extravaganza (7pm-11pm, $25) AND a free mini-ball/book launch for me from 6:30-7pm with lots of great beginner dances for all ages. My kids will be there, that’s for sure.

There will be prizes for best dressed, and for the treasure hunt.

There will be live music.

There will be professional dancers scattered among the crowd.

There will be wonderful and enthralling outfits both piratical and historical.

There will be free food.

There will be my Rather Excellent fantasy pirate novel, The Monster Apprentice, on sale and ripe for signings (along with Heart of Brass and Silver and Stone, naturally).


Saturday February 17th 2018


Canberra Baptist Church Hall, Currie St, Kingston


Free book launch and mini-ball 6:30pm-7:00pm including prizes and activities.

$25 full pirate ball 7:00pm-11:00pm

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Avast! Unlock yer daughters and belay any other plans!

Feel free to RSVP in the comments, and let me know if you’d like me to wrangle some discount ball tickets for you. I might just be able to find some… one way or another.

New News!!

To get discount tickets to the full-length ball (7-11pm), go to:

Adult Tickets are $25 at the door

Online Tickets are $22.50 for adults

If your friends buy online using the code PIRATES they can buy them for $20.00 each